Replica Spring 2010: Marc Jacobs Handbags
No review of Marc Jacobs‘ Spring 2010 fashion show would be complete without taking a good look at the accessories that were also featured – after all, they’ll be what we’re picking apart mercilessly in a few months.
Consistent with the softer color palette of much of MJ’s collection, we saw a lot of champagnes, light and medium blues, creams, and whites in the accessories collection. Many of the bags were made of multicolored lattice leather, sometimes in what looked to be several different textures – I definitely spy some python, at the very least.
There was also Jacobs’ signature quilting, with many of the quilts bearing forth rivets and tassels. I liked the addition of texture, but these were not my favorite bags of the show – the tassels and their cords looked like tentacles to me. Not a good look.
And last put not least, apparently fringe is not over yet, at least not in Marc’s mind. Many of the latticed bags had nearly a foot of fringe swinging from them in the same colors that made up the bag’s body. I have a feeling that this will be shortened somewhat before the products are shipped to stores, but I didn’t hate it. In fact, quite the opposite – I thought that it was quite appropriate, considering the construction of many of the pieces Leave it to someone like him to make us all take a second look at fringe.
When you’re Marc Jacobs, and your show basically is New York Fashion Week, and everyone expects The Next Big Thing from you, and the world is watching, what do you make? Why, you make harlequin kabuki clown ballerina clothes, of course!
Throughout the sculptural-yet-feminine presentation, there were nods to Japanese culture, Comme des Garsons and Jacobs’ own seminal grunge collection at Perry Ellis, among a slew of other things. We had ruffles galore, lots of layering (as is to be expected with Jacobs), underwear-as-outwear (also not the first time we’ve seen that from Jacobs, and it reminded me a bit of this year’s Christian Dior couture presentation), and more pastels than I can remember seeing at Fashion Week since…well, ever. I hate pastels, but if MJ can make that gorgeous steel blue into a trend, I might let the peach and lavender go.
Overall, the more I look through the show’s looks, the more I like them, but not as much as I did his grimy, glam lover letter to 80s New York from Fall 2009 (or his brilliant show from a year ago, for that matter). Perhaps it’s the colors that are turning me off, or maybe the organza genie pants. I appreciate that his models all more shoes that were either completely or almost flat, the bags looked like they’d be intricate and fantastic on closer view, and the clothes are growing on me and looking more brilliant by the minute. There was one obvious masterpiece, though: the show’s final look. It was an ephemeral, effervescent confection of a gown that defied gravity and looked like it had been made out of spun air. It wasn’t overdone or underdone, but done just enough to show the skill with which it was tailored and the eye with which it was edited. Perfection.
Like the collection or not, that dress should be enough to convince anyone that Jacobs is still the king. It’s taking a while for the ideas behind these clothes to settle with me, but the journey through this master’s mind is nothing if not enjoyable.
About the Author
What’s in my Purse? Updated 2/19/2010
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